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Кресло Poltrona Frau Jay
PRO
225 ₽
Royalty free
Платформа:3dsMax 2012 + fbx
Рендер:
V-Ray
Размер:
5 МБNEW
Цвета:
Стиль:Современный
Материалы: Металл, Кожа
Форма:
Опубликована 19 мая 2017
Пути к текстурам очищены
Материалы на английском языке
Модель сгруппирована и названа логическим именем
Развертка имеется
FBX без сглаживания
Полигонов без сглаживания - 5,618,
Turbosmooth (instance) - Mixed 1 & 2 iterations - 58,236

Dimensions (mm): W 750 D 930 H 1090 mm
W 29.5'' D 36.5'' H 43''

The Jay Lounge armchair is a privileged realm to dedicate purely to ourselves. Reserved for highly personal moments of meditation, relaxation and reading. A new take on the archetypal bergre that instantly becomes a contemporary icon. A new classic, completely atypical, with a strong emphasis on hedonism. The seat is modelled around the body. The geometries are organic yet taut and sculpted. The backrest and seat are independent of each other. Jean-Marie Massaud proceeds by subtraction, lightening the volumes and instilling movement into the composition. The armrests jut out jauntily, as if carved from the material. The ergonomics of the seat are primarily visual and are confirmed by the absolute comfort of the constructions and volumes.
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Кресло Poltrona Frau Jay

PRO
225 ₽
Royalty free
27
27
27
Платформа:3dsMax 2012 + fbx
Рендер:
V-Ray
Размер:
5 МБNEW
Цвета:
Стиль:Современный
Материалы: Металл, Кожа
Форма:
Опубликована 19 мая 2017
Пути к текстурам очищены
Материалы на английском языке
Модель сгруппирована и названа логическим именем
Развертка имеется
FBX без сглаживания
Полигонов без сглаживания - 5,618,
Turbosmooth (instance) - Mixed 1 & 2 iterations - 58,236

Dimensions (mm): W 750 D 930 H 1090 mm
W 29.5'' D 36.5'' H 43''

The Jay Lounge armchair is a privileged realm to dedicate purely to ourselves. Reserved for highly personal moments of meditation, relaxation and reading. A new take on the archetypal bergre that instantly becomes a contemporary icon. A new classic, completely atypical, with a strong emphasis on hedonism. The seat is modelled around the body. The geometries are organic yet taut and sculpted. The backrest and seat are independent of each other. Jean-Marie Massaud proceeds by subtraction, lightening the volumes and instilling movement into the composition. The armrests jut out jauntily, as if carved from the material. The ergonomics of the seat are primarily visual and are confirmed by the absolute comfort of the constructions and volumes.